Showing posts with label Studio Gallery. Show all posts
Showing posts with label Studio Gallery. Show all posts

Wednesday, June 6, 2012

CAROL RUBIN: A Review by Devin Joyce

Carol Rubin's show "Scapes and Escapes" runs until June 16th. Her artist's reception is this Saturday June 9th, from 4 - 6 PM. The exhibition and the reception are open to the public.

Day dreaming of beaches and pining for a vacation are all too common as summer greets us with rising temperatures and busy schedules. It is a tempting thought to abandon responsibilities for a day or just close your eyes for a moment to yourself. Or in my case, to explore Carol Rubin's current show: Scapes and Escapes. As the title suggests, it truly is an escape from the cloudy day hovering above me or a stressful to do list.

The walls are covered in a variety of landscapes that include city, coast, and 'mind-scapes'.

Rubin builds layers upon deteriorating layer in Orange Crush and City on a Hill, as you can almost feel as the pieces fracture and break away off in the distance. Rubin plays with the colors in a way that creates confusion between fore and background. These harsh urban pieces oppose the fluid, calming movement in her Palms and Tide pieces. The repetitive stripes of color serve to simplify the ocean tides but still create a recognizable coastline. Her series of Palm trees are an abstract perception of the patterns in the sky created by the leaves. Rubin's tracts of color through the thick layers of white show how light dances through the leaves on a sunny day.


One piece that stands apart from the recognizable scapes is Angle of Repose. This piece is titled after the architectural phrase which means, “ the angle where everything relaxes”. As Rubin explained the piece to me, it was very clear that is was an internal experience. These pieces on the canvas fit within each other and made sense to her. As a viewer, it stands out from the rest of the show because I was not looking for familiar architecture or elements of nature, but trying to explore it from Rubin's perspective.

Rubin discusses the role of empathy through her work, she explained that her paintings are an emotional experience. This show is infused with the seen and the imagined, the cool breeze and noises of the city, and an escape on every wall. Whether that may be a far away place or Carol's mind, they are all beautifully done.

Wednesday, August 10, 2011

Studio Gallery: Intern Review



Amy B. Davis
"Lydia"

It's grotesquely pure and lucid. Amy B. Davis's "Lydia" is a portrayal of a figure, sitting upright and is of no distinct detail as it fades into the background. Although faceless and obscure, it embodies moments of tradition with its painterly force, but also advocates for more than the simple aesthetics of beauty and attraction. Its biomorphic and organic shape of a head defined by a deep red can suggest an intimate nature and concealed sense of a perishable life. It represents the beginnings of a solidified reality with its imitation of the most basic forms. Moreover, it feels as if this painting transcends both time and space as a person inhabiting such a state can neither feel the physical and emotional consequences of imminence and proceeding time. Perhaps, it is a longing of the artist to be in such a place where compliance to immortality is both elementary and facile.

Priscilla Son
University of Virginia '13

Saturday, July 16, 2011

Micheline Klagsbrun's "Blue Morpho Nymph"


With cool blue skin against a bed of decorative organic shapes, the Morpho Nymph turns away from her viewers in a distant dreamlike manner. Although her position is opposite viewers, one can be pulled into her world like a curios child. Intricate details grace every inch of the canvas as the eye travels from the rounded, prominent hips of the figure to the butterfly-like patterns woven throughout brown and tan hues that surround her. There is a inhuman relevance to this piece, the figure takes on an avatar incarnation with beautiful grace. The use of electric blue paint to model the figure renders a living glow, which breathes life into the canvas' surface. White paint layered on on shades of blue highlight the figures skin, as if under a radiating, glowing light. The Blue Morpho Nymph is nestled in a bed of overlapping shapes moving inward and out, creating gentle movement as they give in to the weight of her mass. The composition of this piece also gives a unique repetition of shapes which compliment one another. With the lines that create the curves defining the figures leg and then continue onto the background, a sense of unison is clear. One can feel the inviting essence permeating from Klagsbrun's work immediately upon first glance.

The Blue Morpho Nymph is a sight to behold, graceful and delicate even down to the smallest detail, and worthy of nobility.

Tiffany Green- Marymount University

Saturday, July 9, 2011

Trix Kuijper's "Power Struggle"


"Power Struggle" is a haunting, beautiful piece whose subject matter is not only engaging, but truly unique. At first glance the three dimensional female figures pop off of the canvas in a curious way. With linked hands and wrists together, the two figures become a one with only the horizon on the background canvas to indicate their positions, and separation. The top figure breaks the canvas edge in an an immortal way. Her position is a still image of a seemingly desperate attempt climb over and out of the piece, to connect with the figure opposite her. Deep rich hues in blues, greens and purples cast a morbid essence as the bottom figures body appears sunken in a vortex of darkness. The canvas is played up with media, giving the surface texture and a gloomy liveliness. The hair on the figures head are painted in a bright red, almost bloody pigment, a compliment to the essence of the "struggle" in this piece.

Still, the mystery of "Power Struggle" leaves one conclude his own context and meaning. Could this be a fight for status? Or a an attempt to save one's life? A successful artwork that opens for possibilities beyond a literal sense. And that is exactly what Trix Kuijper's "Power Struggle" has given us. This work and others by Kuijper are on view now at Studio Gallery DC. Come visit our gallery and find out for yourself.

Tiffany Green
Marymount University

Thursday, June 30, 2011

FIRST FRIDAY JULY 1ST


Studio Gallery will be opening it's doors this Holiday Weekend on First Friday to welcome anyone looking for a little taste of art in spice up their evening!

Bring out of town friends and family to see some work that might just inspire and thrill them more than Monday's Fireworks!

New members Trish Palasik and Sally Levie have an incredible show downstairs where sculpture and drawing seamlessly and beautifully play off each other.

Upstairs the viewer takes flight as Suzanne Goldberg's paintings take them on a journey from East to West coast. Inspired by Anselm Kiefer Goldberg's rich textured canvases have a unique dimensionality that feels intricate and malleable.

First Friday is from 6-8 pm at 2108 R. Street NW. Also stop by Alex Gallery, Gallery A, and Hillyer Art Space for more artistic experiences.

Saturday, June 25, 2011

Trish Palasik's "Possibilities"


"Possibilities" by Trish Palasik: "The nude woman's figure flows upward into space, leaving the viewer wrapped in its remarkable essence. This piece stands alone in a powerful way, from the emphasis on the nudes large sculpted legs, to her wholesome rounded torso. Palasik's use of marble resin with deep green hues channels a natural organic connection form and color, centering the piece."



When focusing on this "Possibility" one notices the movement of this piece as a rhythm- From the top of the seemingly distant, unemphatic head, which then carries eye to the chest of the figure, and then to the lengthy arms draped behind the figure with hands together, and finally in a repetition of shapes. Together those elements provide a harmony within the piece, pulling the viewer to walk around the sculpture, to observe from different perspectives, in a continuing experience.

Palasik quotes: "Creating art is about transformation" Indeed her manipulation of mediums to create sculpture allows her to transform her ideas into reality.

Tiffany Green- Marymount University

Thursday, June 23, 2011

Sally Levie's "Thoughtful"


Sally Levie's "Thoughtful" evokes an array of sensibilities from beauty and inspiration to sorrow and subtle desperation. It is an astonishing piece that engages the onlooker with the nude woman sitting in a poised and secure position full of complete melancholic contemplation.

Levie created this piece of art as a single figure sketched lightly and without a distinct surrounding or landscape, forcing the viewer to empathize solely with this elusive woman. The posture this woman takes of nude vulnerability impresses not only her individual solitude upon the viewer but the own viewer's as well, acting almost like a window towards a psychological revelation or a mirror of our own innerness. As we find ourselves withdrawing from aspects of the external world that seem to betray our own intuitions, we begin to occupy ourselves with ourselves and our own individual irrational desires. Thus, rather than this piece being an individual gazing upon another, it acts almost like a mirror image of our own internal senses.

"Thoughtful" is a wonderful work of art that must be experienced and seen. We encourage anyone who is interested to stop by Studio Gallery to truly engage yourself with this piece of art as well as the many other artworks that Levie has on display. Sally Levie's artwork will be on display until July 16 so don't miss out!

-Priscilla son, University of Virginia '13

Thursday, June 2, 2011

Studio Gallery Intern Review


A lifelike magnolia branch, dainty butterflies, and a charming border all make up Neena Birch's oil on canvas piece titled "Dried Magnolia Branch." The auburn colors and the realistic detailing of the dried magnolia branch are superb. Birch's shading adds astounding depth and texture to this waterless tree limb. Mellow butterflies fly and fade in the background. The sepia toned floral border is printed nicely on the ivory painted canvas. The placement of the branch is unique, in that it overlaps the printed border, making it the overbearing focus of the piece. Birch clearly has a gift of capturing the realism of nature while including her own personal touch of wildlife beauty.

Sarah Botzer
Pratt Institute 2015

Thursday, April 28, 2011

Suzanne Yurdin's Volt


Suzanne Yardin’s Volt is truly electrifying. What is most striking about it is the palette. Yellow, browns, and faded grays are usually synonymous with muted earth tones. In some cases they can be used to warm a pallete and evoke a sense of comfort, but more often than not, they come with a associated with a feeling of melancholy, like death. However, Yurdin’s work is alive. You can get a great sense of movement as the brushstrokes dance expertly across the canvas. With few visible texture lines Yurdin is able to create an illusion of a pulsating surface. Looking at this from an art historical perspective, there is a real sense of a return to nature once seen in the American Hudson River school movement. Often when a cave was depicted, like in Thomas Cole’s Kaaterskill Falls (pictured above) it is associated with the womb of the earth. Much like the color pallet of Volt a dichotomy exists between the fine line between the end of something and the renewal of life. As the lighter shades peek through the Horizon there is an overwhelming sentiment of coming joy. This same response can be extracted from Yurdin’s piece because of the way the artist intergraded the use of light cream tones over the mustard yellow. If your eye follows the piece, despite its rectangular shape, the viewer can see the power of the cyclical nature of such a magnificent piece of art.

-Elizabeth Hay
Intern Review
GWU 2012

Studio Gallery Intern Review


Jacqui Crocetta's sculpture in her new series “Protect. Nurture. Release” is a life-size dress made out of twigs and wire. This unique piece is striking and bold. The dress's movement and flair is truly believable. The dress represents the elegance and power of women. The theme of Crocetta's show is based on motherhood and female persona. The duties of a mother are to protect the child, nurture the child, and release the child into the world. The womanly shape and traditional dress style reflect this idea. The use of the twigs symbolize the nesting and caring of a child.

Sarah Botzer
Montgomery Blair High School 2011

Wednesday, April 20, 2011

Final Week for Joyce McCarten, Bud Hensgen and Veronica Szalus at Studio Gallery


The Studio Gallery 2108 R Street NW Dupont Circle 202.232.8734 www.studiogallerydc.com Gallery Hours ; Wed-Thurs 1-7, Fri 1-7, Sat 1-6 and Sundays by appointment. Opening March 30-April 23, 2011 First Friday Reception April 1 (not kidding) 6-8 p.m. Artist's Reception April 15 6-8 p.m. Solo Show: Joyce McCarten "Uncommon Boundaries:New Abstract Paintings". Ms McCarten continues the tradition of using rich color, rich brushstroke and rich light on the canvas to evoke landscape and architecture, the mystery of expression and emotion. In this year of looking at the seminal work of the Abstract Expressionists at MOMA and at abstraction throughout the United States, Ms McCarten so beautifully conveys the strength and dynamism of the canvas. Duo Show: Bud Hensgen "Revisiting the Rectangle" and Veronica Szalus "transition" Mr Hensgen uses the wonderful rectangle as a launching pad for his abstract works that like Ms McCarten's question the sense of space, surface and mystery of the canvas. Ms Szalus in her first duo show at the Gallery will create three installations, all "transitional" pieces that reflect light, shape, balance and time. Together these elements form the means for transition from one state of being into the next. From the macro to the micro, organic and inorganic...everything is evolving and changing.

Studio Gallery shows the works of guest and emerging artists each month in their upstairs Betsy Ross Gallery as well as the work of Member artists. We also feature unique outdoor sculpture in our garden. Studio Gallery is located in a beautiful brownstone in historic Dupont Circle and is available for parties, meeting and receptions.
- Show quoted text -

Wednesday, April 13, 2011

Artist Reception at Studio Gallery Friday April 15 6-8 p.m.


The Studio Gallery 2108 R Street NW Dupont Circle 202.232.8734 www.studiogallerydc.com Gallery Hours ; Wed-Thurs 1-7, Fri 1-7, Sat 1-6 and Sundays by appointment. Opening March 30-April 23, 2011 First Friday Reception April 1 (not kidding) 6-8 p.m. Artist's Reception April 15 6-8 p.m. Solo Show: Joyce McCarten "Uncommon Boundaries:New Abstract Paintings". Ms McCarten continues the tradition of using rich color, rich brushstroke and rich light on the canvas to evoke landscape and architecture, the mystery of expression and emotion. In this year of looking at the seminal work of the Abstract Expressionists at MOMA and at abstraction throughout the United States, Ms McCarten so beautifully conveys the strength and dynamism of the canvas. Duo Show: Bud Hensgen "Revisiting the Rectangle" and Veronica Szalus "transition" Mr Hensgen uses the wonderful rectangle as a launching pad for his abstract works that like Ms McCarten's question the sense of space, surface and mystery of the canvas. Ms Szalus in her first duo show at the Gallery will create three installations, all "transitional" pieces that reflect light, shape, balance and time. Together these elements form the means for transition from one state of being into the next. From the macro to the micro, organic and inorganic...everything is evolving and changing.

Studio Gallery shows the works of guest and emerging artists each month in their upstairs Betsy Ross Gallery as well as the work of Member artists. We also feature unique outdoor sculpture in our garden. Studio Gallery is located in a beautiful brownstone in historic Dupont Circle and is available for parties, meeting and receptions.

Thursday, October 21, 2010

Intern Review of Gene Markowski


In Studio Gallery on the third floor, a mixed media assemblage hangs above the fireplace. When I first glanced at it, I had to stop and stare because it is very different from the traditional flat art I am used to. The picture doesn’t do it justice because you can only see a flat image; the assemblage is actually 3D and the different pieces stick out at different lengths. The striking colors and shapes make your eyes dance all over the piece in a frenzy trying to absorb everything at once. The contrasts between the colors make every shape and line jump into your senses. The use of linear lines in every inch of the assemblage creates a geometric harmony throughout it and creates a positive feel to it. Because it is 3D, it takes every amount of will power you can muster to not go up and feel every angle and curve. Also, the vivid colors and the arrow shapes make you feel excited and giddy as they point you in different directions all over the work.

Asia Reynolds
Montgomery Blair High School
2011

Fotoweekdc at Studio Gallery


The Breadth and Beauty of Photography


Studio Gallery | www.studiogallerydc.com | 2108 R Street NW, Washington DC, 20008 202.232.8734 Email: info@studiogallerydc.com | Artist Opening November 5, 6 – 8pm, Artist Talk November 10, 6 – 8pm

Studio Gallery presents The Breadth and Beauty of Photography in conjunction with FotoWeek DC.

Studio Gallery in Washington, D.C is pleased to announce The Breadth and Beauty of Photography a diverse exhibition exploring the definitions and scope of beauty within photography. The Breadth and Beauty of Photography is on view at Studio Gallery from October 27, 2010 through November 20, 2010 in conjunction with FotoWeek DC.

This eclectic exhibition of photography expressed through fourteen artists’ lens and photographic styles, lets viewers in on a variety of photographic processes - from antique and alternative, to digital and traditional prints and installation. Photojournalists, portraitists, old school and new school photographers from Washington, New York and Paris come together to share their vision.

Studio Gallery’s resident artists, Iwan Bagus and Peter Karp use film and mixed media to investigate questions of sexuality and the ambiguity of perception. New York photographer, Ann Chwatsky’s latest works are digital montages that shape a narrative in nature. While, photojournalist, Willie Davis’ photographs are a backstage, raw and uncut journey through the fashion world. Dream like glimpses of life to poetry captured in color and form, The Breadth and Beauty is diverse and charismatic.

Artists on display are: Olivia Alonso, Yve Assad, Iwan Bagus, Ann Chwatsky, Jesse Cohen, Willie Davis, Jean Francois Delamarre, Esther Hidalgo, Pete Howe, Laila Abdul-Hadi Jadallah, Peter Karp, Chandi Kelley, Salma Khalil and Angela Kleis,

Wednesday, August 11, 2010

September at Studio Gallery




Studio Gallery 2108 R Street NW Dupont Circle www.studiogallerydc.com, 202-232-8734. Open Wed-Thurs 1-7, Fri 1-8, Sat 1-6 (Sunday by appointment)
Opening Sept 1-25 , First Friday Reception Sept 3, 6-8 pm, Artist Reception Sept 11 4-6 Solo Show: Brian Kirk: Sculpture +, Mr Kirk welds together bold steel sculptures from industrial scraps and fabricated forms. He loves the tension between the strength of steel and the delicate balance he creates in both large and small works..Mr Kirk also explores the organic nature of the rust steel produces in beautiful monoprints created and embellished by his hand. Duo Show: Lori Anne Boocks: small boxes....some on fire, In her first duo show at Studio Gallery, Ms Boocks continues her works on canvas with a hidden story fragment that influences her palette with beautiful layers and washes of color, just hinting at the text underneath. Jan Willem Van der Vossen: New Work, Mr Van der Vossen begins his paintings with a series of compositional essays going in different directions of color and form.

Studio Gallery shows the works of guest and emerging artists each month in their upstairs Betsy Ross Gallery as well as the work of Member artists. We also feature unique outdoor sculpture in our garden. Studio Gallery is located in a beautiful brownstone in historic Dupont Circle and is available for parties, meeting and receptions.
- Show quoted text -

Friday, May 28, 2010

Lost Girls of the Border - Chris Chernow at the Studio Gallery


Currently on show at the Studio Gallery is Corcoran graduate Chris Chernow's thesis art work. Inspired by the devastating lives led by young Mexican women living on the Mexican-US border, Chernow combines photos and newspaper ads used by desperately searching family members, with serapes, traditional Mexican cloths.

The story of beauty lost to such tragedy is strikingly reflected by the haphazardness of the photographic prints on the beautiful colors of the serapes. The art illustrates the tragic struggle of young women who have been caught in a world of drug trafficking, prostitution, and often rape and murder.

The prints reflect the varying characteristics of these women. While some show the strength of young women, others show the innocence of teenage girls. A number of these cloths can be found folded and stacked against the wall in a manner reminiscent of a morgue. The stacked cloths are anonymous until one pulls them out to discover a girl with a pretty smile and a loving family.

Chris Chernow's show runs from May 26th to June 19th
Studio Gallery, 2108 R St. NW, Washington D.C., 20008
Wed and Thurs 1-7, Fri 1-8, Sat 1-6. Also by appointment.

Friday, April 30, 2010

May at Studio Gallery

We have three wonderful floors of artwork to explore:

Upstairs Gallery

Andrea Kraus, Painting in Haiku: "Surface of a petal-covered pond"

front

Downstairs Gallery

Jacqui
Crocetta, extending trust

front

Marie Straw, Creating Characters from Abstraction

front

Betsy Ross Gallery

Carte Blanche: Work by Members of Studio Gallery in Rotation

Running from April 28 - May 22
First Friday Reception: May 7, 6 - 8 pm
Artist's Reception: Saturday, May 8, 4 - 6 pm

Studio Gallery
2108 R St NW / Washington, DC 20008
www.studiogallerydc.com
202.232.8734


Saturday, April 24, 2010

An Interview with Andrea Kraus, Studio Gallery Artist


Studio Gallery artist Andrea Kraus has a solo show coming up, and there will be two receptions, plus a two-person show happening at the same time for members Jacqui Crocetta and Marie Straw. We hope you enjoy reading the below interview with her and have a chance to stop by to see her new pieces in person.

Andrea Kraus -- Painting in Haiku: "Surface of a petal-covered pond"
Show dates: April 28 - May 22, 2010
First Friday Reception: May 7, 6 - 8 pm
Artist's Reception: Saturday, May 8, 4 - 6 pm
2108 R Street N.W. Washington, DC
Regular gallery hours and contact info
Q: What inspired your new pieces for this exhibit?
A: For this show, I was inspired by the koi pond that we have on the Eastern Shore. I tried to capture the movement and peacefulness of the fish as they swim around the dark pool. They are very colorful and contrast with the dark green and brown of the water.
Q: Did you do anything differently--new techniques, subject matter, palette, etc.--for this show?
A: I tend to get bored with one subject so most of my shows change subject. This time I returned to large format acrylic with just a few monoprints (Chine-collé) and linoleum prints. I have used collage a lot in the past and for this show I repeated one composition three different times, one with shiny collage, one with Japanese patterned paper and one with just acrylic paint using a windowpane effect.
Q: What's your favorite part about being a Studio Gallery member?
A: I have been part of Studio Gallery for many years. It really affords me the freedom to explore and show what I want to without thinking about what someone else would like for me to exhibit. Having a "show date" helps me to focus and gives me a much needed deadline. Of course, knowing my fellow artists is always wonderful and the gallery members are very supportive of each other.

Thank you so much, Andrea, for sharing these insights into your new work! For more about Andrea, including additional work and artist statement, visit the Studio Gallery website.

Thursday, April 8, 2010

Studio Gallery and Fine Dining

Studio Gallery is now showing in two restaurants in Dupont Circle; One Lounge and Russia House, both on Connecticut Ave.

Please go visit, see our art, dine with their delicious food and thank you to these wonderful patrons of the arts.

One Lounge

1606 20th Street NW
Washington, DC 20009
(202) 299-0909

Russia House Restaurant & Lounge

1800 Connecticut Avenue Northwest
Washington, DC 20009-5704
(202) 234-9433

Saturday, April 3, 2010

Artists Reception April 10th at Studio Gallery



















Thanks to all who came out to the Dupont Circle Galleries for First Friday! It was a beautiful night and we're so proud of our artists!

Opening: March 31-April 24 Upstairs Gallery: Andrew Acquadro "Metamor-Facets"
Mr. Acquadro, in his first solo show at Studio Gallery exhibits a series of paintings influenced by Master Painters from the Past,

Downstairs Gallery: Elizabeth McNeil Harris "Blues" In a spare, minimal and elegant style, Ms Harris uses the human body as muse for her life drawings.

Also showing, Freda Lee-McCann "Fragments of Tradition", Collage, Ink and Watercolor on Paper. Ms Lee-McCann draws on a rich tradition of Chinese calligraphy and watercolor to produce works of great depth and originality, drawing from both the contemporary and the classic.

The Artist Reception for these three wonderful shows will be Saturday April 10th from 4 -6 pm.

Don't forget upstairs we have a very special treat of "Only What You Can Carry with You": Works by James Cassell, Peter E. Harper, Joren A. Lindholm, and Zade Ramsey

The first of three exhibitions planned in 2010, Thomas Drymon Selects that is fresh and contemporary. The artist share qualities both personal and professional.

Also Showing Brie Husted "Sculptural Music"