Thursday, April 28, 2011

Suzanne Yurdin's Volt


Suzanne Yardin’s Volt is truly electrifying. What is most striking about it is the palette. Yellow, browns, and faded grays are usually synonymous with muted earth tones. In some cases they can be used to warm a pallete and evoke a sense of comfort, but more often than not, they come with a associated with a feeling of melancholy, like death. However, Yurdin’s work is alive. You can get a great sense of movement as the brushstrokes dance expertly across the canvas. With few visible texture lines Yurdin is able to create an illusion of a pulsating surface. Looking at this from an art historical perspective, there is a real sense of a return to nature once seen in the American Hudson River school movement. Often when a cave was depicted, like in Thomas Cole’s Kaaterskill Falls (pictured above) it is associated with the womb of the earth. Much like the color pallet of Volt a dichotomy exists between the fine line between the end of something and the renewal of life. As the lighter shades peek through the Horizon there is an overwhelming sentiment of coming joy. This same response can be extracted from Yurdin’s piece because of the way the artist intergraded the use of light cream tones over the mustard yellow. If your eye follows the piece, despite its rectangular shape, the viewer can see the power of the cyclical nature of such a magnificent piece of art.

-Elizabeth Hay
Intern Review
GWU 2012

Studio Gallery Intern Art Review


Brian Kirk’s stunning sculpture “Emerald Light” is definitely an eye catcher in the gallery. The soft light magnetizes your curiosity and controls you until you are up close. It is made of a variety of materials like copper, wood, and fused glass to frame the small light bulb in the back. To me, the strips of copper in front of the glass resemble a bow that completes the piece. The texture of the piece is amazing and you find yourself unconsciously lifting your hand to touch it. This sculpture differs from Brian’s traditional work, but perfectly shows how creative and talented he is. As I look at it, I picture it being hung in my room as a nice dim light that would calm me on the most stressful days.

Asia Reynolds
Savannah College of Art and Design
2015

Studio Gallery Intern Review


Jacqui Crocetta's sculpture in her new series “Protect. Nurture. Release” is a life-size dress made out of twigs and wire. This unique piece is striking and bold. The dress's movement and flair is truly believable. The dress represents the elegance and power of women. The theme of Crocetta's show is based on motherhood and female persona. The duties of a mother are to protect the child, nurture the child, and release the child into the world. The womanly shape and traditional dress style reflect this idea. The use of the twigs symbolize the nesting and caring of a child.

Sarah Botzer
Montgomery Blair High School 2011

Saturday, April 23, 2011

Studio Gallery Intern Review


“Wellspring” is the title of this enchanting pastel piece by Elizabeth McNeil Harris. Surrounded by what appears to be petals, a young woman turns away from the viewer's eye with a faraway expression. The beautiful bedazzled neckline of her dress gleams and glistens as it sets itself apart from the rest of the piece. Furthermore, the fluttering petals succeed in drawing attention to the mysterious woman. The intensity of the dark blues and the softness of the cool blues set an evening tone. The filmy colors contribute to establishing delicacy to this mystifying work of art.

Sarah Botzer
Montgomery Blair High School 2011

Opening at Studio gallery



The Studio Gallery 2108 R Street NW Dupont Circle 202.232.8734
www.studiogallerydc.com Gallery Hours ; Wed-Thurs 1-7, Fri 1-8, Sat
1-6 and Sundays by appointment. Opening April 27-May 21, 2011 First
Friday Reception May 6 6-8 p.m. Artist's Reception May 14 4-6 pm
Solo Show: Jacqui Crocetta "Protect. Nurture. Release" Ms. Crocetta
in her first solo show at Studio Gallery examines the intense nature
of mothering--the protecting, nurturing and releasing of children as
they move from total dependence toward independence. The struggle
between opposing forces and an ever-changing shift in roles, is what
shapes the complex mother-child dynamic.
Duo Show: Angelika Wamsler "A Flow of Different Light and Deep" and
Suzanne Yurdin "New Abstract Work". Ms. Wamsler continues with her
explorations of abstract organic forms that evoke magical worlds of
land, sea and mythology. Ms Yurdin uses the power of abstraction to
evoke landscapes in a variety of beautiful palettes.


Studio Gallery shows the works of guest and emerging artists each
month in their upstairs Betsy Ross Gallery as well as the work of
Member artists. We also feature unique outdoor sculpture in our
garden. Studio Gallery is located in a beautiful brownstone in
historic Dupont Circle and is available for parties, meeting and
receptions.

Wednesday, April 20, 2011

Final Week for Joyce McCarten, Bud Hensgen and Veronica Szalus at Studio Gallery


The Studio Gallery 2108 R Street NW Dupont Circle 202.232.8734 www.studiogallerydc.com Gallery Hours ; Wed-Thurs 1-7, Fri 1-7, Sat 1-6 and Sundays by appointment. Opening March 30-April 23, 2011 First Friday Reception April 1 (not kidding) 6-8 p.m. Artist's Reception April 15 6-8 p.m. Solo Show: Joyce McCarten "Uncommon Boundaries:New Abstract Paintings". Ms McCarten continues the tradition of using rich color, rich brushstroke and rich light on the canvas to evoke landscape and architecture, the mystery of expression and emotion. In this year of looking at the seminal work of the Abstract Expressionists at MOMA and at abstraction throughout the United States, Ms McCarten so beautifully conveys the strength and dynamism of the canvas. Duo Show: Bud Hensgen "Revisiting the Rectangle" and Veronica Szalus "transition" Mr Hensgen uses the wonderful rectangle as a launching pad for his abstract works that like Ms McCarten's question the sense of space, surface and mystery of the canvas. Ms Szalus in her first duo show at the Gallery will create three installations, all "transitional" pieces that reflect light, shape, balance and time. Together these elements form the means for transition from one state of being into the next. From the macro to the micro, organic and inorganic...everything is evolving and changing.

Studio Gallery shows the works of guest and emerging artists each month in their upstairs Betsy Ross Gallery as well as the work of Member artists. We also feature unique outdoor sculpture in our garden. Studio Gallery is located in a beautiful brownstone in historic Dupont Circle and is available for parties, meeting and receptions.
- Show quoted text -

Tuesday, April 19, 2011

FOUNDRY GALLERY - Windows and Paper


In her May 2011 solo show at the Foundry Gallery, Kathryn Wiley continues to pursue both abstract and representational work, although the abstract still has the upper hand. The main gallery presents a series of abstract acrylics, while collages and representational paintings appear in the gallery foyer. Originally a landscape painter, Wiley moved into abstract painting several years ago, needing a new challenge, and recently has started making collages, both abstract and semi-representational.

The 2011 abstract paintings build on the work Wiley showed in November 2009 at the Foundry Gallery. Many of the 2009 abstract paintings had squares and rectangles running across the top, some reminiscent of windows. In the 2011 show, the windows have become larger and mobile, traveling down to occupy a large part of the picture plane. In some paintings they establish space, seeming to float on a distant background, and in others, they evoke an impression of landscape, in flashes of luminous light and intense color. Particularly in this segment of her work, Wiley continues her ongoing exploration of color relationships.

In the foyer are a selection of mostly abstract collages ranging from landscape to fantasy to surrealism, along with several representational paintings of the Santa Catalina Mountains near Tucson, Arizona.

Exhibit Dates: Wednesday, May 4 - Sunday, May 29
Opening Reception: Friday, May 6, 6 - 8 pm
Gallery Hours: Wednesday-Friday, 1-7pm; Saturday-Sunday, 12-6pm
Location: 1314 18th Street, NW, Floor 1

Thursday, April 14, 2011

Studio Gallery Intern Review


Roberta Shulman's mixed media piece “Fiesta” is certainly a fun-filled production. Shulman's variety of colors is radiant and upbeat. The fiery reds and the vibrant pinks are exquisitely bold and expertly painted. The colorful stripes and circles also give rhythm and energy to the piece. The fiesta of swirls almost become alive as they dance on the paper. The charmingly intricate wording interspersed with the shapes does not go unnoticed and gives the piece a tenderhearted feel to it as well as a merry one. This piece is the life of the party in Shulman's colorful and cheerful art series.

Sarah Botzer
Montgomery Blair High School 2011

Wednesday, April 13, 2011

The life of an Art Gallery Intern


George Washington University, Washington University, Notthingham University, Montgomery Blair High School, Walter Johnson High School, American University, Oberlin College...what do they all have in common? They are just some of the wonderful schools that have given us their talented, their artistic, our fabulous interns at Studio Gallery.

Today, two of said interns will tell us the highlights and unexpected adventures they have experienced at Studio Gallery.

Jenny Segal is a sophomore from San Fransisco, Ca who is majoring in Fine Arts at George Washington University. Jenny is currently showing at the gallery with her lovely watercolors.


"Jenny, what have you been most surprised about during your splendid internship here?"
" I think the thing I was most surprised about is that even within one single gallery, one can experience an astonishing diversity of art work. I was surprised by how much of the art work was inspiring and I truly liked.

Asia Reynolds is a Senior at Montgomery Blair High School. She will be attending Savannah College of Art and Design in the Fall where she plans on majoring in Photography.

"Asia, tell us some of the insights you have learned in talking to artists?'
"I love how open the artists are to talking about their art in the exhibition. They are open to giving advice and ask about my own work too. That was very exciting for me.""I also love the different personalities, some are shy, some are outgoing and some are just really awkward.""It made me feel better"

"Jenny, tell us about First Fridays at the gallery"
"Jenny: First Fridays are equal parts exciting, busy, and crazy. I was surprised by the different reactions I received from gallery patrons from compliments to outright rudeness!! But...I always look forward to the event which is one of the highlights of my college experience.

"Jenny and Asia: Waves of people enter, it calms down, another wave arrives. The most eccentric people, college students, average Joe's, young professionals, artists, wise elderly individuals and of course the most eccentric of all...the regulars"

"Tell me both about what you have learned in writing reviews of art work?"
Asia: "I have learned that it is awesome to use metaphors and similes and all the rhetorical devises I learned in High School. They really work to describe art!!

Jenny: "I was often surprised by my own reaction to art work which while sometimes odd, I had to just go with it." "I learned it was much more intuitive than any of the other writing I had done"

Jenny "One of my favorite things is that I could touch the art work!! It had always been so forbidden and now I could experience the thrill of running my fingertips across the painted canvas."

Asia "My favorite thing is just sitting in the gallery and talking about art, lives, and experiences. It makes the gallery feel like home and where I belong:

"Jenny and Asia, you are both aspiring artists. Has the gallery given you ideas about how you envision your first exhibit and what you want?"

Asia: "I like the idea of not using traditional framing and using pushpins, binder clips or clothespins to hang my photos. It makes it more accessible and you can go up close to touch it or see the smallest of details. The frame sometimes creates a distance"

Jenny: " I really like the idea of unique materials for mounting or as a painting surface. For example, wood or aluminum. Also, the idea that I can go really big or really small or both at the same time. Carol Zilliacus' miniature pieces were especially inspiring in this regard."

Asia "Coming to the gallery changed my whole perception of painting too. They do not need to be huge but can be the size of a book. Some of the most extraordinary paintings can fit right in my tote bag!!"

Jenny:"I will tell you a secret, if you volunteer in a gallery, you can get as close to the artwork as you want. Also, Teaism on the corner of R street is awesome for food, dessert and tea."

Asia: "One time a young man came to the gallery with a flat top hair do and feathers coming from his hair. And you know what...it looked like he belonged."

You know what....everyone belongs at Studio Gallery or any gallery. Visit one today!!

Artist Reception at Studio Gallery Friday April 15 6-8 p.m.


The Studio Gallery 2108 R Street NW Dupont Circle 202.232.8734 www.studiogallerydc.com Gallery Hours ; Wed-Thurs 1-7, Fri 1-7, Sat 1-6 and Sundays by appointment. Opening March 30-April 23, 2011 First Friday Reception April 1 (not kidding) 6-8 p.m. Artist's Reception April 15 6-8 p.m. Solo Show: Joyce McCarten "Uncommon Boundaries:New Abstract Paintings". Ms McCarten continues the tradition of using rich color, rich brushstroke and rich light on the canvas to evoke landscape and architecture, the mystery of expression and emotion. In this year of looking at the seminal work of the Abstract Expressionists at MOMA and at abstraction throughout the United States, Ms McCarten so beautifully conveys the strength and dynamism of the canvas. Duo Show: Bud Hensgen "Revisiting the Rectangle" and Veronica Szalus "transition" Mr Hensgen uses the wonderful rectangle as a launching pad for his abstract works that like Ms McCarten's question the sense of space, surface and mystery of the canvas. Ms Szalus in her first duo show at the Gallery will create three installations, all "transitional" pieces that reflect light, shape, balance and time. Together these elements form the means for transition from one state of being into the next. From the macro to the micro, organic and inorganic...everything is evolving and changing.

Studio Gallery shows the works of guest and emerging artists each month in their upstairs Betsy Ross Gallery as well as the work of Member artists. We also feature unique outdoor sculpture in our garden. Studio Gallery is located in a beautiful brownstone in historic Dupont Circle and is available for parties, meeting and receptions.

Saturday, April 9, 2011

Coming Soon... David Goslin at Gallery A!



Gallery A is proud to announce that David Goslin will be showing new work in the gallery during the month of May.



















Known for his bright compositions, Goslin is unmistakably influenced by the Washington Color School. His vibrant pieces are distinguished for their technical qualities-- every line is straight, and every color has been carefully chosen. However, more recent work has lent itself to a bit of experimentation. Stacks of horizontal ovals now recall the color field paintings of Mark Rothko. Goslin does this in his own familiar vocabulary, as his colors respect their boundaries and their edges do not blend with one another. As a result, we are able to look at each hue as individual and full of character; together on the canvas they create something more organic than works past.

Goslin does not abandon his signature style, however, as sharp edged lines can still be found in various works both horizontal and vertical. His work continues to pop, and his colors couldn't be more eye-pleasing. David Goslin: New Color Paintings is a wonderful display by an artist who continues to expand and evolve his repertoire.



-Balkis Awan

Gallery A
2106 R Street NW
(202) 667-2599

Thursday, April 7, 2011

Studio Gallery Intern Art Review


Joyce McCarten’s painting of a landscape is pleasant and serene. It appears to be a relaxing home on a farm surrounded by trees and a beautiful sky. The vast rolling lawn presents lovely values of green and the mixture of light blue blends in the sky create wispy clouds. The painting is the ultimate vision of a picturesque countryside. McCarten makes the viewer feel calm and enticed by the carefree nature of the image. The large tree in the front brings rhythm and movement to the piece by drawing the viewer’s eye to the focus of the image. The overall quality of the painting is excellent; it consists of careful brushstrokes and a fine color palette.

Sarah Botzer
Montgomery Blair High School 2011

Studio Gallery Intern Art Review


Susan Hochbaum’s humorous image of a bright purple pastry contrasted against a historical building in Paris greatly emphasizes the abruptness of the pastry. The openness of the sky draws the viewer’s eye to the bottom of the image, and straight to the sweet, guilty, pleasure. It looks similar to a grape covered donut with another small pastry dripped over it. The bright purple contrasts beautifully against the overcast sky and the dark colors of the building. This piece is also a part of a series of other landscapes with yummy pastries snuck into them.

Asia Reynolds
Savannah College of Art and Design
2015

Wednesday, April 6, 2011

Judith Judy at Gallery A

Judith Judy's Mystical Forests, on display in Gallery A now until the end of April, shows new works from the artist, as well as some older favorites. Judy stays true to her signature style-- picturesque landscapes amid the haziness of memory. Her large as well as her small works will be sure to captivate you, and as you move through the gallery your spirits will be lifted. Scenes which seem at first to be ethereal are given an edge when dripping techniques are used, and some are so vivid you cannot help but transport yourself to the exact setting. We invite you to visit Judith Judy's Mystical Forest, and experience the work so many have come to love.





-Balkis Awan


Gallery A
2106 R Street, NW
(202) 667-2599